Raf Simons:
Minimalism's Purveyor
After Galliano’s dismissal in March 2011, the house of Dior was in a state of limbo. The entire fashion industry fluttered about, wondering who would sit at one of the most coveted spots. When it was announced that Raf Simons would be at the helm, everyone let out sighs of relief. Thank goodness for that.
​
Along with thanksgiving, the house’s complete shift in designer direction spurred an interest as well. How would Simons, the Belgian man known for creating understated yet sublime pieces, succeed Galliano’s theatrical and fantastical works? Given his recent couture collection at Dior (spring/summer couture 2013), Simons shows us that a change in direction can pave the way for the next best thing.
Florals seem to be a Dior favorite. Dior did it for his debut collection; Galliano for his autumn/winter 2010 couture collection and for his sophomore couture show, Simons looked to nature once again. It’s amazing how different designers can view the same object but be inspired in a multitude of ways.

With Look 1, the tone of the show was set in motion: a silver-hued draped gown with a swath of black on the breasts. So minimal yet so Dior in every aspect - silhouette, form, identity. Throughout the show, Simons delivered another fashion revolution akin to that in 1947. There were embroidered and appliquéd blooms here and there, impeccable tailoring, and classic silhouettes. Simons captured the beautiful story of spring, too, as colors gradated from somber to pastel to bright. There were black pantsuits reminiscent of the Bar jacket, floral corsets, blush-toned full skirts. The show ended with an immaculate full-length dress beaded with flowers and paired with a silk jacket. It was the perfect ode to spring.
Watch the spring/summer 2013 couture pieces in motion.